The two have a special musical relationship. In concert, John Parish played most of Polly's riffs, though I did a few. Otherwise I probably wouldn't have been there in the first place. While I was touring with Polly, she was going through a phase of not wanting to play guitar in concert in order to improve her skills as a front woman. Polly plays all the macho stuff - including on the title track, where I play a barely audible EBow thing. I do the snaky/scrapy sounds at the end of "Down By the Water," the dinosaur roar on "Long Snake," the thin little shoebox guitar on "Working for the Man," and so on. ![]() I've said this before, and will again: One this album, I played the textural/atmospheric stuff, and Polly played the big riffs. Hi folks! I'm delighted to hear there's still so much interest in TBYML.
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